Thomas Joynes
Portland stone plinth
Further images
Once I had the folded paper form, I then spent countless days applying wax and building up a consistently thick layer all over the form. The longest part of the process was then smoothing off the wax to achieve a satisfying finish, which is actually one of the sculpting processes that I enjoy the most.
The resulting form is then sufficiently thick that it can be invested into a ceramic shell, which is then burnt out to create a negative space for molten bronze to be poured into.
This beautifully flowing form is unique, as I never took a mold. It is most suited for interior display, however can go outdoors but would require maintenance to upkeep the patina finish".